Music for Dance
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| ‘Canary, Crimson, then Emerald’ (Black Label Movement) | Composer | Cowles Center for Dance. Minneapolis, 2022 |
| ‘In This House’ (BLM) | Composer, Digital Design | Barker Center for Dance. Minneapolis, 2019 |
| ‘Morituri’ (BLM) | Composer | Ritz Theater. Minneapolis, 2019 |
| ‘MERGE’ (BLM / Contempo) | Composer | Cowles Center for Dance. Minneapolis, 2016 |
| ‘Unkindness of Ravens’ (BLM) | Composer | American Dance Festival. Duke Univ. NC 2014 |
| ‘Whack-a-Mole’ (BLM) | Composer | Cowles Center for Dance. Minneapolis, 2013 |
| ‘Lost Lullabies’ (BLM) | Composer | Kennedy Center. Washington DC, 2012 |
| ‘Canary’ (BLM) | Composer | Cowles Center for Dance. Minneapolis, 2012 |
| ‘For She’ (BLM) | Composer | Cowles Center for Dance. Minneapolis, 2012 |
| ‘A Modest Proposal’ (BLM) | Composer | TEDxBrussels Conference. Belgium, 2011 |
| ‘SpaceWalk’ (BLM) | Composer | TEDxBrussels Conference. Belgium, 2011 |
| ‘HIT’ (Same Planet Different World) | Composer | Columbia College Dance Center. Chicago, 2011 |
Music for Theater ___________________________________________________________________________
| The Red Shoes | Composer | Open Eye Figure Theater, 2017 |
| Peter and the Starcatcher | Arranger | Theater Latte Da, 2017 |
| Strange Is the Heart | Composer, librettist | Open Eye Figure Theater, 2015 |
| An Iliad | Composer, sound design | Guthrie Theater, 2013 |
| Henry. . . Mr. Bones | Composer | Cedar Cultural Center, 2013 |
| Oliver Twist | Composer | Park Square Theater, 2011 |
| Next Fall | Composer | Jungle Theater, 2011 |
| The Mystery of Irma Vep | Composer | Jungle Theater, 2010 |
| Mary’s Wedding | Composer | Jungle Theater, 2009 |
| Shipwrecked!, An Entertainment | Composer | Jungle Theater, 2009 |
| Hitchcock Blonde | Composer | Jungle Theater, 2009 |
| Nosferatu | Composer | Bryant Lake Bowl, 2009 |
| The Sisters Rosensweig | Sound design | Park Square Theater, 2008 |
| The Syringa Tree | Composer | Jungle Theater, 2008 |
| 9 Parts of Desire | Composer | Guthrie Theater, 2008 |
| Pericles | Composer | California Shakespeare Theater, 2008 |
| The Cryptogram | Composer | Walking Shadow Theater, 2007 |
| Communicating Doors | Composer, sound design | Joking Apart Theater, 2007 |
| I Am My Own Wife | Composer | Jungle Theater, 2006 |
| A Woman in Mind | Sound design | Joking Apart Theater, 2006 |
| Pericles | Composer | Guthrie Theater, 2005 |
| On the Verge | Composer, sound design | Gremlin Theater, 2005 |
| Empty Plate at the Café Beuf | Composer, sound design | Girl Friday Productions, 2005 |
| Murder at the Abbey Grange | Composer, sound design | Hardcover Theater, 2004 |
| Hate Mail | Sound design | Girl Friday Productions, 2004 |
| Oil on Canvas | Sound design | 15Head Theater, 2004 |
| Crazyface | Composer, sound design | Mary Worth Theater, 2003 |
| The Enchanted | Composer, sound design | 15Head Theater, 2003 |
Music for Film
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| ‘Human Rights’ Carlos S. Alvarez dir. (Winner: Human Rights Award. 60Seconds Short Film Fest. Copenhagen.) | Composer | (Denmark), 2012 |
| ‘Regular Joe’ Gene Landry dir. | Composer | Red Dilemma Productions, 2007 |
| ‘The Beauty King’ Juliah Rueckert dir. | Composer | Minneapolis, 2006 |
Performances
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| Altered Esthetic Film Fest | Southern Theater, 2016 |
| A Tribute to Poet John Berryman (Performance/Film) | Cedar Cultural Center, 2014 |
| Spark Festival of Electronic Music | Nomad World Pub, 2008 |
| New Music Chicago Festival | Chicago, 2004 |
| Various performances at art galleries and other venues | 2002 – Present |
Reviews
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| In an unusual twist for a dance concert, Black Label Movement’s “Visceral” program at the Cowles Center may be best described by its sounds. . . Greg Brosofske’s rock-solid soundscape accompanies a work caught in a mash-up of genres, specifically a 1970’s prom gone New Wave with a touch of Goth. – Caroline Palmer, Star Tribune |
| I’ve rarely heard sound used so effectively: Chamber strings, buzzing bees, goofy game-show bells, and galloping horses all weave themselves around the playful performances. – The Enchanted, Bill Corbet, City Pages |
| The real star of the performance is Greg Brosofske, who found the ear of Bernard Herrmann in compositions that underscore the production. – Hitchcock Blonde, Graydon Royce, Star Tribune |
| Brosofske lends pomp and romance to an already lyrical story. . . an enthralling world music mélange. – Percles, Sam Hurwitt, East Bay Express |